A clay stop-motion short film
A tiny astronaut stumbles across an alien planet teeming with strange life - only to discover that the first creature he meets is no stranger at all. Every frame is hand-sculpted, every texture a fingerprint. This guide captures the visual DNA of the world.
Wordmark, lockup variations and clear space rules for the Spaced Out & Found identity.
Drawn directly from the clay and paper textures of the physical set. Every shade has a handmade origin.
Four roles, each with a distinct weight and register. Display for titles and character names, Heading for section labels, Body for descriptions, Caption for quotes.
Two characters, one home. Their visual rhyme - matching antennas, same tiny black dot eyes - is the emotional core of the whole film.
Intentional fingerprint marks, visible seam lines. Imperfection is personality - don't over-smooth.
60 seconds. 720 frames. One small astronaut and a planet full of questions.
The terrain is hand-sculpted on a miniature set board. Purple clay patches across terracotta soil, with clusters of mushrooms, succulents and berry formations.
The slightly chunky rhythm of 12fps stop-motion is not a limitation - it's the texture of the world.
Five shots that carry the whole film. Every other frame exists to make these land harder.
Four principles that make a 60cm table feel like another planet.
Two cuts of the completed short - one with the final soundtrack, one silent reference reel for editorial review.